I am Air
I am Air is the dialogues between the
air and people in the future, will people be the master of the world? Are
they just parasites of the earth? Let the air tell you.
Husserl proposed that existence is the objective requirement of consciousness. In the future, the consciousness of the air will become a system that can be experienced, and humans will be able to dive into it. However, this system was created for the purpose of changing you at this moment.
The film attempts to explore the balance between humans and nature. Through the speculative narrative way, consciousness substitution is used as story clues, quantum eraser experiment and Newtonia classical mechanics are used as the theoretical basis, across the boundary between reality and virtuality. Try to guide the audience to have a new perspective on nature and behaviour after the visual experience.
As French anthropologist, Bruno Latour said in the review of the book<the mushroom：at the end of the world>:
"If humans must survive in the ruins of capitalism, which is what some people call the Anthropocene, then we need an example to see what unexpected entanglement and connection can be formed between economic and cultural ecology and survival strategies.
Steve Goodman wrote in his book Sonic Warfare (2010):
" The twenty-first century started with a bang, setting the resonant frequency of fear at which the planet has been vibrating, trembling, ever since." The earth pulsates like a giant living organism. According to the current scientific mainstream, nature is unconscious. What if the shaking planet is a giant living organism? What if air has consciousness?
《我即是空》是一场未来世界中空气与人的对话，人是世界的主宰？还只是地球的寄生物？让空气告诉你。
胡塞尔提出存在是意识的客体要求。在未来，空气的意识成为了一套可以被体验的系统，人类得以潜入其中。然而这一系统被创造出来的目的却是为了改变现在的你。
影片试图探索人类与自然的制衡关系，通过思辨性叙事的手法，以意识替代作为故事线索，将量子擦除实验和牛顿经典力学作为理论依据，跨越现实和虚拟的边界，尝试引导观众在视觉体验后产生对自然和行为的新看法。
法国人类学家，布鲁诺·拉图尔在《蘑菇：世界尽头》一书的评论中说：
“如果人类必须在资本主义的废墟中生存，也就是有人所说的人类世，那么我们需要一个例子来看看经济文化生态和生存策略之间可以形成什么样的意想不到的纠缠和联系。”
史蒂夫古德曼在他的《声波战争》（2010）一书中写道：
“二十一世纪以一声巨响开始，设定了恐惧的共振频率，从那时起，地球一直在振动、颤抖。”地球像一个巨大的生物体一样脉动。 按照目前的科学主流，自然是无意识的。 如果摇晃的星球是一个巨大的生物怎么办？ 如果空气有意识呢？
Husserl proposed that existence is the objective requirement of consciousness. In the future, the consciousness of the air will become a system that can be experienced, and humans will be able to dive into it. However, this system was created for the purpose of changing you at this moment.
The film attempts to explore the balance between humans and nature. Through the speculative narrative way, consciousness substitution is used as story clues, quantum eraser experiment and Newtonia classical mechanics are used as the theoretical basis, across the boundary between reality and virtuality. Try to guide the audience to have a new perspective on nature and behaviour after the visual experience.
As French anthropologist, Bruno Latour said in the review of the book<the mushroom：at the end of the world>:
"If humans must survive in the ruins of capitalism, which is what some people call the Anthropocene, then we need an example to see what unexpected entanglement and connection can be formed between economic and cultural ecology and survival strategies.
Steve Goodman wrote in his book Sonic Warfare (2010):
" The twenty-first century started with a bang, setting the resonant frequency of fear at which the planet has been vibrating, trembling, ever since." The earth pulsates like a giant living organism. According to the current scientific mainstream, nature is unconscious. What if the shaking planet is a giant living organism? What if air has consciousness?
《我即是空》是一场未来世界中空气与人的对话，人是世界的主宰？还只是地球的寄生物？让空气告诉你。
胡塞尔提出存在是意识的客体要求。在未来，空气的意识成为了一套可以被体验的系统，人类得以潜入其中。然而这一系统被创造出来的目的却是为了改变现在的你。
影片试图探索人类与自然的制衡关系，通过思辨性叙事的手法，以意识替代作为故事线索，将量子擦除实验和牛顿经典力学作为理论依据，跨越现实和虚拟的边界，尝试引导观众在视觉体验后产生对自然和行为的新看法。
法国人类学家，布鲁诺·拉图尔在《蘑菇：世界尽头》一书的评论中说：
“如果人类必须在资本主义的废墟中生存，也就是有人所说的人类世，那么我们需要一个例子来看看经济文化生态和生存策略之间可以形成什么样的意想不到的纠缠和联系。”
史蒂夫古德曼在他的《声波战争》（2010）一书中写道：
“二十一世纪以一声巨响开始，设定了恐惧的共振频率，从那时起，地球一直在振动、颤抖。”地球像一个巨大的生物体一样脉动。 按照目前的科学主流，自然是无意识的。 如果摇晃的星球是一个巨大的生物怎么办？ 如果空气有意识呢？
Collective subconsciousness
Time/Space
Anthropocene/Post-Human/Artificial Intelligence
Quantum Mechanics/Biology/Humanities
Speculative/Narrative
集体潜意识
时间/空间
人类世/后人类/人工智能
量子力学/生物学/人文
投机/叙事
Time/Space
Anthropocene/Post-Human/Artificial Intelligence
Quantum Mechanics/Biology/Humanities
Speculative/Narrative
集体潜意识
时间/空间
人类世/后人类/人工智能
量子力学/生物学/人文
投机/叙事
Medium: Animation, Real Shot
Size: 1920*1080
Year:2021
媒介：动画，实拍
尺寸：1920*1080
年份：2021
Size: 1920*1080
Year:2021
媒介：动画，实拍
尺寸：1920*1080
年份：2021